Trilateral- Alice Burns, Chris Davis, Shauna McGowan


April 5th – May     1stTrilateral     presents the work of 3 printmakers from Northern Ireland.
The exhibition features a diverse range of printmaking techniques from    collagraph to screen printed leather hides.  The artists are all     connected to the Seacourt Print Workshop in Bangor Northern Ireland and     this exhibition continues the connection between Seacourt and the Wharepuke     Print Studio which began in 2009 when Mark Graver travelled from Wharepuke     to run an acrylic resist etching workshop at Seacourt.  Previous     exhibitions at Wharepuke featured the work of the Seacourt members and     Trilateral was instigated at the suggestion of Robert Peters the Seacourt     director.Seacourt Print Workshop

Alice Burns

Alice Burns from Seacourt Print Workshop at Art at Wharepuke
Alice Burns from Seacourt Print Workshop at Art at Wharepuke

 

Alice will be artist in residence at     Wharepuke from April 25th – May 21st
Alice Burns lives and works in Northern Ireland. She graduated BA Hons,     Fine and Applied Art, 1st Class, from the University of Ulster, Belfast, NI     in 2010 and Post Graduate Diploma, Art in Public, 2012. Her artistic     practice currently explores the associative and fragmentary nature of     traumatic memory.

A key element of her practice is a dialogic process that mediates     recollection, through which she creates objects offering multiple     representations of non-verbalised past trauma. This calls for a multidisciplinary     approach that uses process and materials selected by the artist as     authentic in relation to the narrative.
“Connections” five works on paper
Using Braille as a starting point these five works explore possible     connections to unspoken traumatic memory.  Each piece is part of a     larger narrative concerning trauma and death.

Chris Davis

Chris Davis at Art at Wharepuke Kerikeri NZ
Chris Davis at Art at Wharepuke Kerikeri NZ

 

I have had an interest in printmaking since     I studied in technical college. I pursued my interest by studying Fine Art     Printmaking in University of Ulster Belfast, where I attained a BA Honours     in Printmaking.
My work is based upon portraiture and architecture. I chose to work from     photographs as first hand reference to create a print. I am influenced by     Documentary photography & Japanese printmaking.
I work in various printmaking techniques such as collagraphs, screen     prints, woodcuts, linocuts and digital.
Themes in my work include relationships, iconography and architecture.
I continue to work as a professional printmaker taking part in exhibitions     nationally and internationally.

Shauna McGowan

Shauna Mc Gowan at Art at Wharepuke- NZ
Shauna Mc Gowan at Art at Wharepuke- NZ

Shauna McGowan is a screen printer and illustrator based in Ireland. She     studied Fashion and Textile design and specializes in screen-printing. Her     background enables her to illuminate diverse surfaces with her strong     graphic drawing skills. Her signature pieces are unique screen prints on     leather.

Shauna’s work explores mythological narratives. Personal grief led to the     realization that when we pass, we too become myths. Shauna is fascinated by     personal histories and the search for permanence in a transient world. Her     work examines life, death and grief through a vibrant use of colour and imagery     on tactile surfaces. She considers the preservation of mythology to be of     fundamental importance; in this rapidly evolving digital world myths and     mystery are being eliminated from our lives.

Wharepuke News
Parallel Prints to     be presented at Impact 8 International Printmaking Conference in Dundee,     Scotland,
and taken into     collection by V&A Museum, London
The concept behind ‘Parallel     Prints’ is to present the same exhibition simultaneously in     the UK and New Zealand.
Using the uniqueness of the reproducible print allows for the same works to     be viewed at the same time on opposite sides of the world.  This     highlights the democratic nature of printmaking and questions the aura of     the unique.  Which venue is showing the ‘real’ work?  Which the     reproduction?Curated and coordinated by Mark Graver in NZ, ‘Parallel Prints’ will     feature the work of 12 diverse artists presented in a Solander boxed set     with 12 framed prints for hanging.
Each artist will contribute one work on 300 x 300mm paper.
‘Parallel Prints’     will be exhibited in New Zealand at Art at Wharepuke, Kerikeri from July –     September 2013 and at a venue to be decided in the UK.
In the UK venue there will be a QR code that links to a video recording of     the Wharepuke exhibition allowing the audience to encounter both     exhibitions at once.  It is also planned to have live web video     streaming of the New Zealand exhibition available.Mark Graver has been invited to present the project as an Open Portfolio at     the international printmaking conference Impact 8 to be held in Dundee,     Scotland at the end of August.
The V&A Museum will be taking a set into its collection and it is     proposed to offer the collection to other major institutions around the     world.Representing the broad diversity of current printmaking process and     practice the artists involved are:
Anne Desmet, Chris Pig, David Ferry, Duncan Bullen, Gill Golding, Mark     Graver, Jo Love, Margaret Ashman, Sandy Sykes, Stephen Mumberson, Timo     Lehtonen, Weimin He